鲨游

简介：电影故事背景设定在1870年的威斯康星州，内战英雄雅各布·汉森背负着战争创伤，身兼警长、殡仪馆馆长与牧师三职，一心想为过往赎罪，守护小镇与家人。一场白喉疫情突然降临，他与医生隐瞒疫情试图平息恐慌，却挡不住疾病肆虐，在守护小镇、保护家人与直面过往黑暗间，雅各布陷入两难抉择。本片正式入围第76届柏林国际电影节视点单元。

简介：李安全是一位外卖员，他期望用自己的努力让妻子和女儿在北京过上体面生活。但却接连遭遇打击：女儿重病，需要一笔高额手术费；夫妻不睦，妻子断然离开；偷着去干代驾，又撞了豪车……一个外乡人，如何在北京站稳脚跟？一个中年人，如何用信念征服现实？一个好人，如何在世俗和偏见中坚守善良本真？李安全用行动向我们呈现了生命的硬度！

简介：当归（巍子 饰）在和恋人私奔的途中被人截获，险些有性命之忧，所幸得到了善良的防风大叔出手相救，才保住了性命。跟着防风大叔，当归成为了一名脚户，凭借着自己强劲的体魄有了口饭吃。一次偶然中，当归遇见了落难的柳兰（迟蓬 饰），她带着女儿樱子刚刚从土匪黑骨头（葛优 饰）的手中逃脱。　　在照顾柳兰母女的过程中，当归和柳兰之间渐渐产生了真挚的感情，然而在社火会上，黑骨头发现了柳兰的踪迹，在威逼利诱之下，柳兰丢下了女儿回到了黑骨头的身边，当归则肩负起了将这个孩子抚养长大的重任。一晃眼多年过去，当归和黑骨头重逢了，此时的黑骨头已经沦为囚犯，而当归亦已垂垂老矣。

简介：吴彦祖、连凯、尹子维、陈子聪成立了一个名叫Alive的乐团，准备在乐坛创出自己的一片天地。然而，他们在访谈中收获了前辈极为尖锐的真知灼见：张学友坦言，技术包装害了唱片业，很多资质差的歌手也在浑水摸鱼；黄贯中表示，踏实创作的人越来越少；谢霆锋直言，唱片公司并不尊重歌手的意见；卢巧音暗讽狗仔队总是无理取闹……总之，很多人都一针见血地指出了乐坛的症结所在。事实也证明alive乐队的成长之路荆棘密布，先是主打歌曲被盗，在网上免费下载，其次是媒体总是挖空心思找他们的绯闻炒作，第三是公司对他们的包装越来越一厢情愿，第四是学舞不精，彩排偷懒，演唱会忘词等糗事，显然这支乐队距离他们的梦想越来越远……　　吴彦祖凭借此片拿下香港电影金像奖新晋导演奖。

简介：Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.　　To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.　　At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.　　Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.

简介：陈武雄嗜赌，在大家乐和六合彩的旋风中欠下赌债逼于无奈而打算卖女儿，儿子士豪知情，带着妹妹离家，投靠妈妈。却与妈妈同居人大吵携妹妹愤愤离去，兄妹二人流浪街头又遇人口贩子盯紧将捉妹妹——争斗随即展开……

简介：剧情简介暂缺，敬请期待

简介：Would you fall in love with a person whose voice you haven't heard for months, whose face you haven't touched, you can't smell, you don't even have the chance to pass by the same street, you can't even be in the same photo, who is miles away from you, even by seas, islands and cities

简介：故事着眼点聚焦农村无业青年如何一步步找到自己人生定位，在经历了各种磨砺后，实现了亲情、友情和爱情的救赎。王龙和父亲宝哥的冲突，由一开始的水火不容到最后的互相理解，说明了父与子之间有效沟通的必要性，表达了无私无言的父爱之伟大。王龙和马虎这对乡村青年的友情随着剧情逐渐升华，表达了友情的可贵；汪清河对人虚情假意，最终害人害已。王龙和马兰的爱情从无到有的过程，表现了农村青年在追求爱情过程中的纯真质朴，表达了有情人终成眷属的爱情观。第一书记郭蕊为王龙的电子商务公司解决实际困难，带领农民成立合作社等剧情，展现了党和政府永远是中国社会脱贫致富，乡村振兴的中坚领导力量，升华了本片的社会价值。

简介：어린시절부터 폭력을 휘두르며 불우하게 성장한 진욱은 역시 외로운 처지의 혜진을 만나 새 삶을 찾아 행복한 가정을 꾸려나간다. 그러나 조직을 떠나 세차장에서 일을 하는 진욱의 모습을 보며 행복을 느끼는 혜진의 꿈은 산산히 부서지고 만다. 진욱을 제거하기 위한 미끼로 혜진을 납치하자 진욱을 지켜보던 오형사에게 어김없이 체포된다. 그러나 얼마후 감옥에서 나온 진욱은 장팔봉 일당에게 처참하게 짓밟힌 아내 혜진이 목숨을 끊었다는 소식을 접한다. 복수의 일념으로 장팔봉을 찾아나선 진욱은 고전 끝에 그를 처단하고는 오형사에게 자수를 한다. 그리고 오형사는 어쩔 수 없이 진욱의 어린 딸 설아를 키우기로 하고 진욱의 수형의 길을 떠난다. 그렇게 해서 어린 설아는 오형사의 사랑으로 성장하고, 오랜 수형 생활속에서도 딸 설아를 만나겠다는 꿈을 안고 살아온 진욱은 드디어 출감하여 오형사를 찾지만 오형사를 친아버지로 알고 곱게 성장한 딸 앞에 나서지 못한다. 그리고 아내의 유골이 뿌려진 강변을 찾아 사랑하는 아내 곁으로 동반한다.　　从小开始就开始使用暴力，成长的陈旭，也会遇到孤独的惠珍，组建一个幸福的家庭，度过幸福的家庭。但是，在离开组织的过程中，看到镇旭的身影而感到幸福的惠珍的梦想破灭了。为了消除镇旭的诱饵，绑架了惠珍，并在观察镇旭的吴哥寺中被逮捕。但是，不久后走出监狱的镇旭接到了被一名壮士杀死的妻子惠珍死去的消息。怀着复仇的念头来到张八峰的陈旭在苦战中，对他进行了处女作。而且，吴哥死也不得不抚养镇旭的幼年女儿，并离开镇旭的秀亨。在这样的情况下，“小薛”成长为吴哥的爱情，而在长久的生活中，抱着“女儿”的梦想生活的陈旭终于出狱，找到了吴哥寺，但她却把吴哥寺视为亲生父亲，并在成长的女儿面前站不出来。而且，还有寻找妻子骨灰的江边，陪着相爱的妻子陪伴。

简介：唐僧师徒四人前去西天取经，途经荒山野岭，巧遇一位破衣烂衫和尚，要他们师徒捎带一些羊皮背囊交与如来佛祖。此背囊所装之物，谓“有即是无，无即是有，只要你心中想要什么，就会有什么，实为一件非常神奇的法宝。但和尚要唐僧师徒下以诚信保证，就是在把背囊交给如来佛祖之前，无论遇到什么，都不许打开，更不能盗用囊中之物。唐僧师徒一口应承。临走前，和尚把用来打开背囊的口诀分三句分别告诉孙悟空、猪八戒和沙和尚。师徒一行重又上路。小牛王得知此事，对背囊垂涎欲滴，召集天神天将后代，执意占为已有。小牛王乃牛魔王和铁扇公主的娇养独子……

简介：在一个猴子栖息的村庄里发生了一些奇怪的事件，促使一对新婚夫妇和森林官员开始执行一项任务，揭开异常骚乱的根源。