24
5.0

恶劣天气

导演:
本尼托·萨姆布拉诺
主演:
路易斯·托萨尔,路易斯·卡叶赫,杰米·洛佩斯,文森特·罗米洛,坎迪多·乌兰加,胡安霍·佩雷斯·尤斯特,阿德里亚诺·卡瓦略,约伊玛·巴尔德斯,莫娜·马丁内斯,玛利亚·阿尔方萨·罗索
别名:
未知
5.0
24人评分
其它
语言
2019-11-22
上映时间
未知
片长
简介:
故事发生在1946年。内战过后,西班牙中心地带的某个地方只剩下绝望,贫穷和流犯。有一个男孩不断逃亡,并在沟渠中找到了藏身之处。搜查队离开后,他面对的是一个充满危险和干旱的平原。万幸的是,他在穿越平原的路上遇到了一个牧羊人,两人最终选择同行。一路上,他们必须应对饥饿和缺水,并逃避由工头派来寻找男孩的人。牧羊人成为男孩的导师:他解释了他的职业和他对生活的理解。随着时间的流逝,牧羊人也知晓了男孩想要逃避的究竟是怎样的恐惧。
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欧洲的某个地方
32
1.0
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欧洲的某个地方
1.0
更新时间:06月29日
主演:Artúr Somlay,Miklós Gábor,Zsuzsa Bánki
简介:Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.  To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.  At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.  Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.
665
1948
欧洲的某个地方
主演:Artúr Somlay,Miklós Gábor,Zsuzsa Bánki
待绽蔷薇
973
6.0
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待绽蔷薇
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更新时间:06月29日
主演:德丽·海明威,贝塞德卡·约翰森,布尼,斯黛拉·麦薇,詹姆斯·兰索恩,卡伦·卡拉古利安,米奇·奥黑根,佐伊·沃斯,戴夫·比恩,埃利泽·奥尔蒂斯,帕特里克·康宁翰,克里斯·贝格齐,曼努埃尔·费拉拉,阿莎·阿基拉 Asa Akira,阿明·约瑟夫,朱勒·乔丹,克里斯蒂娜·罗丝,詹姆斯·弗雷,库尔特·莱特纳,乔什·苏斯曼,卡琪·斯塔尔,莉莉·拉贝欧 Lily Labeau
简介:简(德丽·海明威 Dree Hemingway 饰)是一名二十一岁的妙龄少女,心中怀揣着成为演员的梦想,她来到了位于加州的圣费尔南多谷。可是,成为演员哪里是这么简单的事?没过多久,简便和大多数来此打拼的女孩一样,默默无名并且身无分文。在简的生活圈里来往的,大多数是不靠谱的朋友们,而其中最值得信赖的,竟然是她那只名叫斯嘉丽的吉娃娃狗。  在老太太桑迪(贝塞德卡·约翰森 Besedka Johnson 饰)家举办的跳蚤市场上,简偶然发现了一个塞着一大捆钞票的老古董,这巨额的财产让囊中羞涩的简无法不在意,她打起了这笔巨款的主意,为此她开始特意的接近桑迪。没想到,简的这一举动彻底的改变了她的生活。
5916
2012
待绽蔷薇
主演:德丽·海明威,贝塞德卡·约翰森,布尼,斯黛拉·麦薇,詹姆斯·兰索恩,卡伦·卡拉古利安,米奇·奥黑根,佐伊·沃斯,戴夫·比恩,埃利泽·奥尔蒂斯,帕特里克·康宁翰,克里斯·贝格齐,曼努埃尔·费拉拉,阿莎·阿基拉 Asa Akira,阿明·约瑟夫,朱勒·乔丹,克里斯蒂娜·罗丝,詹姆斯·弗雷,库尔特·莱特纳,乔什·苏斯曼,卡琪·斯塔尔,莉莉·拉贝欧 Lily Labeau
阳光下的罪恶
29
1.0
已完结
阳光下的罪恶
1.0
更新时间:06月29日
主演:彼得·乌斯蒂诺夫,玛吉·史密斯,科林·布莱克利,黛安娜·里格,丹尼斯·奎利,埃米莉·霍恩,罗迪·麦克道尔,詹姆斯·梅森,尼古拉斯·克莱,简·伯金
简介:阿伦娜·马歇尔(黛安娜·里格 Diana Rigg 饰)是一个美艳不可方物的女明星,天性放浪的她从不掩饰对其他男性的喜爱,也十分享受被男性追求的感觉,从而彻底忽略了丈夫和养女的感受。帕特里克(尼古拉斯·克莱 Nicholas Clay 饰)是个血气方刚的英俊小伙,虽然已经有了体弱多病的妻子克里斯汀(简·伯金 Jane Birkin 饰),但他依然难以抵挡向他暗送秋波的阿伦娜的诱惑。今年,位于莱瑟库姆湾旁小岛上的度假旅馆“快乐罗杰”成为了展示罪恶的舞台,来这里渡假的所有游客,似乎都和阿伦娜有个多多少少的利益纠葛。哪里有罪恶,哪里就有波罗(彼得·乌斯蒂诺夫 Peter Ustinov 饰),这次也不例外,聪明的他将一切矛盾都看在眼底。  阿伦娜死了,这令众人毫不意外。尽管每个人都有作案的动机,但每个人又都有完美的不在场证明。究竟是谁杀了阿伦娜?其实凶手早早的,便露出了他狐狸尾巴。
298
1982
阳光下的罪恶
主演:彼得·乌斯蒂诺夫,玛吉·史密斯,科林·布莱克利,黛安娜·里格,丹尼斯·奎利,埃米莉·霍恩,罗迪·麦克道尔,詹姆斯·梅森,尼古拉斯·克莱,简·伯金
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