255
5.0

迷色布局

导演:
罗伯特·奥特曼
主演:
肯尼思·布拉纳,艾伯丝·戴维兹,小罗伯特·唐尼,达丽尔·汉纳,杰斯·詹姆斯,罗伯特·杜瓦尔,汤姆·贝伦杰,法米克·詹森,梅·惠特曼,Clyde,Hayes
别名:
未知
5.0
255人评分
英语
语言
未知
上映时间
未知
片长
简介:
理查·马古达是英国某联合律师事务所的一名成绩卓著的刑事案律bbb。二十年的律师生涯中他很少败诉,尤其近八年来更是一次都没有输过。理查的事业步入了鼎盛期,而他的婚姻却濒临崩溃,他和妻子莲妮正在办离婚手续,争夺对两个孩子的监护权。在一次同事们为理查举办的庆功晚会后,天色已黑,大雨滂沱。理查独自离开餐馆,准备驾车回家,突然发现女招待迈丽的小轿车被人偷走。出于同情,理查将她送回家。但是他却发现迈丽的车安然无恙地停在家门口,而且家门开着。他觉得此事蹊跷,一再追问,才了解到迈丽已与丈夫离婚,目前正遭受父亲的跟踪恐吓,处境十分危险。理查毫不犹豫地挺身而出,破例接受了这起民事案,为迈丽设立专案,帮助她摆脱困境,与此同时,理查深深陷入了迈丽的情网……
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欧洲的某个地方
32
1.0
已完结
欧洲的某个地方
1.0
更新时间:06月29日
主演:Artúr Somlay,Miklós Gábor,Zsuzsa Bánki
简介:Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.  To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.  At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.  Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.
665
1948
欧洲的某个地方
主演:Artúr Somlay,Miklós Gábor,Zsuzsa Bánki
蹩脚英语
931
3.0
已完结
蹩脚英语
3.0
更新时间:06月29日
主演:梅尔维尔·珀波,帕克·波西,德瑞·德·玛泰,蒂姆·金尼,吉娜·罗兰兹,彼得·博格丹诺维奇,罗伊·辛尼斯,迈克尔·潘斯,贾斯汀·塞洛克斯,Philip Pavel,丹娜·爱薇,威廉·怀斯,约什·汉密尔顿,卡蒂琳·基茨
简介:35岁的诺拉(帕克•波西 Parker Posey 饰)是曼哈顿的一个成功的职业女性――她是一间高级酒店的客服主管。虽然她精明能干,一眼就能看穿客人的需要,但是她却一直未能找到自己的爱情归宿,她在处理感情方面简直一塌糊涂。诺拉曾同酒店的客人――明星尼克发生过关系,但当她满怀憧憬的时候,才发现对方不过是为了演出而和她体验生活。  在一个个“第一次约会”失败后,心灰意冷的诺拉遇上了说着一口蹩脚英语的法国人朱利安(梅尔维•珀波 Melvil Poupaud 饰)。两人的感情迅速升温,可是朱利安很快就要回法国了,他邀请诺拉和他一起“私奔”。可是感情屡受挫折的诺拉竟忽然没了信心,拒绝了朱利安。当朱利安回国后,诺拉才恍然大悟:自己再也没法忘掉这个男人。于是她在好友陪伴下来到了巴黎。
2550
2007
蹩脚英语
主演:梅尔维尔·珀波,帕克·波西,德瑞·德·玛泰,蒂姆·金尼,吉娜·罗兰兹,彼得·博格丹诺维奇,罗伊·辛尼斯,迈克尔·潘斯,贾斯汀·塞洛克斯,Philip Pavel,丹娜·爱薇,威廉·怀斯,约什·汉密尔顿,卡蒂琳·基茨
福斯特对话尼克松
441
4.0
高清
福斯特对话尼克松
4.0
更新时间:06月29日
主演:迈克尔·辛,弗兰克·兰格拉,马修·麦克费登,帕蒂·麦克马科,凯文·贝肯,托比·琼斯,奥利弗·普莱特,山姆·洛克威尔,丽贝卡·豪尔,凯特·詹宁斯·格兰特,霍莉·韦伯
简介:尼克松(弗兰克·兰格拉饰)在水门事件后下台,却始终未曾对公众承认过自己的错误,欠美国人民一个道ddd。福斯特(迈克尔·辛饰)是一个在澳大利亚主持脱口秀的英国花花公子,在直播中看见尼克松搭乘直升飞机离开白宫时萌生采访他的意念并决定付诸实践。没有人对福斯特抱有期望,没有电视公司愿意出钱购买他的采访,朋友约翰(马修·麦克费登饰)找来业内著名的新闻人鲍勃(奥利弗·普莱特饰)和对尼克松研究颇深的詹姆斯(山姆·洛克威尔饰)来组成一个小组,开始进行资料挖掘。福斯特自己掏钱付了头笔的采访费,获得了与尼克松见面的机会,并且敲定了连续采访的日子。小组拼命准备问题以便逼尼克松在采访中认罪。尼克松的智囊团也在忙碌地准备应答,他们从不把福斯特放在眼内。正式采访开始,福斯特招架不住尼克松滔滔不绝的自辩,这一切让福斯特破釜沉舟,寻找突破口……
2832
2009
福斯特对话尼克松
主演:迈克尔·辛,弗兰克·兰格拉,马修·麦克费登,帕蒂·麦克马科,凯文·贝肯,托比·琼斯,奥利弗·普莱特,山姆·洛克威尔,丽贝卡·豪尔,凯特·詹宁斯·格兰特,霍莉·韦伯
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