652
9.0

野猪林

导演:
崔嵬,陈怀皑
主演:
李少春,袁世海,杜近芳
别名:
未知
9.0
652人评分
国语
语言
未知
上映时间
未知
片长
简介:
东京汴梁八十万禁军教头林冲(李少春 饰),陪娘子张氏(杜近芳 饰)去东岳庙烧香还愿,遇上奸臣高俅(苏维明 饰)之子高衙内(孙盛武 饰),贪恋张氏美色,高衙内带一帮泼皮无赖上前调戏,林冲怒火中烧,喝斥高衙内无德,高衙内惧林冲教头威名,悻悻而去。此间碰上从五台山发落回来的鲁智深(袁世海 饰),鲁闻林冲乃禁军教头,上前铲棒交量数回合,英雄相惜,二人结拜为兄弟。回到太尉府的高衙内念念不忘张氏的美貌,央高俅帮他遂愿。林冲的朋友陆谦(骆洪年 饰)为博高俅父子欢心,献计陷害林冲,诱林冲持刀误入白虎节堂。高俅则以行刺之罪名拘押林冲,剌配沧州......  本片根据《水浒传》逼上梁山章节改编。
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329
7.0
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简介:Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far.  The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939).  The title music sets the tone a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff.  The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man.  Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'.  Roger Philip Mellor
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